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Author Topic: THE SPECS OF 2011 (ONGOING)  (Read 9207 times)
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Tom & Jerry
Cat & Mouse
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« on: April 23, 2011, 02:57 PM »

I swiped this from another board but figured you guys might like seeing about the specs of the year.  If it says (Read) next to it, that just means that that script is floating around.

STAND UP STRAIGHT (READ)
Logline: Pitched as being in the vein of “Mean Girls” and “Glee,” story follows a high school senior, raised to be gay by his overbearing, feminist mother, who risks family, friends, and a much-needed college scholarship, when he falls in love with the most popular girl in school.
Writer: Eirene Donohue
Genre: Coming-of-age | Comedy
Agency: Kaplan Stahler Agency | Shan Ray
Management: Tantillo Entertainment | John Tantillo

THE ICE MAN (Read)
Logline: Inspired by true events, the story is an action-packed tentpole in the vein of “Gladiator” meets “300.”
Writer: Craig Stiles
Genre: Action
Agency: Bohrman Agency | Caren Bohrman

DIRTY PAIR (READ)
Logline: Pitched as CHARLIE’S ANGELS in space, the story follows the adventures of two hot chicks as they save the galaxy.
Writer: Daniel Antoniazzi
Ben Shiffrin
Genre: Sci-Fi | Action | Comedy
Agency: UTA | Charles Ferraro
Management: Gotham Group | Jeremy Bell, Luke Sandler
Attachments: Ozla Pictures | Production Co.
Mosaic | Production Co.
Masi Oka | Producer
Details: Based on the Japanese manga “Dirty Pair” created by Haruka Takachiho.

FAST COMPANY (N/A)
Logline: Pitched as being in the vein of “GOOD FELLAS” and “CATCH ME IF YOU CAN” story tells the true tale of Steve Forte, a legendary gambler and hustler aka “sleight of hand artist” who won fortunes beating the mob-run Las Vegas casinos of the 1970′s and 80′s.
Writer: Damian Nieman
Genre: Crime | Drama
Management: Clear Pictures Entertainment | Elizabeth Fowler
Attachments: Clear Pictures Entertainment | Production Co.
Elizabeth Fowler | Producer
David Gibbs | Producer
Damian Nieman | Director
James Gandolfini | Actor
William Fichtner | Actor
Kevin Pollack | Actor

THE LEONARDO JOB (N/A)
Logline: Two thieves who are hired to steal the only previously unseen DaVinci fresco are double crossed by who they think is the Italian femme fatale they’ve both fallen for. However, after learning another thief is after it, they redeem themselves by beating him to his plans and donating the piece to the girl, her dying father figure, and the museum of Florence.
Writer: David Twohy
Genre: Action | Adventure
Agency: ICM | Robert Lazar

HERE BE DRAGONS (N/A)
Logline: An American businessman visiting London unleashes a legendary dragon and must become a real knight in order to defend England.
Writer: Josh Roth
Genre: Adventure | Fantasy
Management: Cinetic Media | Steve Farneth
prolific | Will Rowbotham

LIFER (Read)
Logline: Pitched as being in the vein of “The Wrestler,” but with a stripper.
Writer: Nicole Brending
Genre: Drama
Management: Manage-Ment | Dan Halsted
Attachments: Dan Halsted | Producer
Bill Conway | Producer

TIS THE SEASON (N/A)
Logline: A college age boy from a dysfunctional family accompanies a female college friend (who he has a crush on) home for holidays for what he believes will be a very traditional Christmas with the “perfect” family.
Writer: Jason Gedrick
Genre: Family | Comedy
Management: Clear Pictures Entertainment | Elizabeth Fowler
Attachments: Clear Pictures Entertainment | Production Co.
Aqua Viva Productions | Production Co.
Elizabeth Fowler | Producer
Dan Ramm | Producer
Joe Mantegna | Executive Producer
Dennis Farina | Actor
Joe Mantegna | Actor
Felicity Huffman | Actor

CITIES OF REFUGE (READ)
Logline: Kept under wraps.
Writer: Brandon Willer
Management: Benderspink | Jake Weiner

MAKING A LIST (N/A)
Logline: A spoiled eleven-year-old girl is magically transported from the South Hills Village Mall in Pittsburgh, PA to the North Pole where she learns that she has upset the balance. Because of her, there are more naughty children in the world than nice. With time quickly ticking away, she must find a way to become good and make up for her naughty ways or millions of kids will get nothing for Christmas!
Writer: Jack Sekowski
Maria Veltre
Genre: Coming-of-age | Holiday | Adventure
Management: The Muraviov Company | Kathy Muraviov

ONE NIGHT BEFORE CHRISTMAS (N/A)
Logline: Pitched as being “John Hughes” in tone, the story follows a boy who thinks he’s inadvertently landed on Santa’s naughty list and goes out to clear his name.
Writer: Stacey Attanasio
Michael Hawley
Genre: Coming-of-age | Holiday | Adventure
Agency: Bohrman Agency | Caren Bohrman

PHANTOM NOISE (Read)
Logline: Pitched as being in the vein of “Black Swan” meets “Silence of the Lambs.”
Writer: Yvette Bou
Genre: Supernatural | Thriller
Management: Sidney Sherman | Rosa Entertainment
Attachments: Sidney Sherman | Producer

STRANDED (READ)
Logline: Pitched as being in the vein of “Phone Booth” and “Buried,” story follows a group of college kids who are terrorized while trapped inside their broken-down SUV.
Writer: Chris Borrelli
Chris Morgan | Story
Genre: Thriller
Agency: ICM | Emile Gladstone
UTA | Jon Huddle
Management: H2F | Chris Fenton
Attachments: Chris Morgan | Producer

HARD UP (N/A)
Logline: A fast-talking sex obsessed salesman goes to sexaholics anonymous to stop screwing 1’s & 2’s for the easy score, but when he starts dating a 10, he stops having sex, loses his job, and his mojo. So, with the help of his sex addict buddies, he learns it’s not about a woman’s number, it’s about finding the right one.
Writer: Mark Turner
John Broker
Genre: Comedy
Management: Gravel Road Entertainment | John Broker

SWEEPER (N/A)
Logline: A security expert has to defend the one he loves when she becomes a high profile target by a private military company.
Writer: Scott LaCagnin
Genre: Thriller
Management: Samurai MK | Michael Kuciak

THE ZONE (READ)
Logline: When an elite CIA squad sent to recover leftover nuclear material from the Chernobyl disaster site turns up dead and the nuclear material goes missing, a midlevel FBI investigator must discover the truth by unraveling the story of the only survivor – a paramilitary operative sent to tie up the loose ends.
Writer: Bryan Croes
Genre: Action | Thriller
Agency: ICM | Harley Copen, Sophy Holodnik
Management: Madhouse Entertainment | Ryan Cunningham

CHASING THE DEAD (N/A)
Logline: A young woman who must travel a twisted route through a freak snow storm, and her own haunted past, in order to save her daughter from a supernatural murderer.
Writer: Matthew Scott
Tim Westland
Genre: Horror | Thriller
Management: Clear Pictures Entertainment | Elizabeth Fowler
Attachments: Clear Pictures Entertainment | Production Co.
Fortune Moon | Production Co.

THE PRINCE AND THE PAUPER (N/A)
Logline: An animated musical adaptation of the off-Broadway play and Mark Twain short story.
Writer: Oley Sassone
Genre: Period | Musical | Animation
Management: Empirical Management | Scott Leddy

THE MONEY TREE (N/A)
Logline: Story follows a family on the verge of foreclosure who discover what happens when money really does grow on trees.
Writer: Matthew J. O’Neill
Genre: Comedy
Agency: Innovative Artists | Michael Pio, Jim Stein
Management: Smart Entertainment | John Jacobs
Attachments: John Jacobs | Producer

MONTECRISTO (READ)
Logline: Pitched as being a contemporary thriller based on the classic tale “The Count of Monte Cristo”.
Writer: William Blake Herron
Genre: Thriller
Agency: CAA | Martin Spencer
Management: Brillstein Entertainment | David McIlvain
Details: Based on “The Count of Monte Cristo” written by Alexandre Dumas.

GENIUS (READ)
Logline: Tonally pitched as “A Heartbreaking Work of Staggering Genius,” story centers on a child genius using Kurosawa’s “Seven Samurai” to aid in the search for his biological father, the identity of whom his single mother refuses to divulge.
Writer: Josh Stolberg, Tom Dey
Genre: Drama
Agency: UTA | Julian Thuan
Management: WME | Lisa Hallerman
Attachments: Tom Dey | Director
Details: Based on the novel “The Last Samurai” written by Helen DeWitt.

BAIT AND SWITCH (N/A)
Logline: Kept under wraps.
Writer: Matthew J. O’Neill
Genre: Action | Comedy
Agency: Innovative Artists | Michael Pio
Management: Smart Entertainment | John L. Jacobs
Attachments: Mark Wahlberg | Producer
Mark Wahlberg | Actor

BUFFALO BILL AND THE INVISIBLE CITY (READ )
Logline: Pitched as “Pirates of the Caribbean” meets ” Tombstone” meets “Sherlock Holmes,” story centers on “Buffalo Bill” Cody and his Wild West Show, which is the toast of Victorian London. When his Indians are jailed after being accused of a savage murder, Bill, the once legendary tracker, must get back in the saddle and prove them innocent, uncovering a fiendish plot against the Queen and Country.
Writer: Michael Stark
Terrell Garrett
Genre: Action | Adventure | Western
Management: EML Entertainment | Eva Lontscharitsch

WILD GUNS (READ)
Logline: Kept under wraps.
Writer: TS Nowlin
Agency: WME | Daniel Cohan, Mike Esola
Management: Energy Entertainment | Brooklyn Weaver, Adam S. Marshall

MAGGIE (READ)
Logline: Set in a small town in middle America, story follows a 16-year old girl, and her family, as she transforms into a zombie over the course of six months.
Writer: John Scott III
Genre: Coming-of-age | Horror | Drama
Agency: CAA | Dan Rabinow
Verve
Management: Energy Entertainment | Brooklyn Weaver, Adam Marshall
Attachments: Henry Hobson | Director

ROUNDS (READ)
Logline: Story is a contained/ticking-clock thriller set inside Massachusetts General Hospital.
Writer: Chris Borrelli
Genre: Thriller
Agency: UTA | Jon Huddle
Management: H2F | Chris Fenton
Attachments: Steve Austin | Actor

SLEEPING BEAUTY (DEVLIN) (READ)
Logline: A re-imagined twist on the classic fairytale, as “Sleeping Beauty” enters into an imaginary dreamworld, only to find herself struggling to escape.
Writer: Lindsay Devlin
Genre: Fantasy
Agency: APA | David Boxerbaum
Management: Mosaic | Emily Rose
Attachments: Halie Steinfeld | Actor

EXODUS (READ)
Logline: Epic CLASH OF THE TITANS-eque retelling of the Moses story.
Writer: Jonathan Hludzinski
Genre: Action | Adventure | Period
Agency: Paradigm | Chris Smith, Ida Ziniti
Management: Brucks Entertainment | Bryan Brucks

FERAL (READ)
Logline: Pitched as “No Country for Old Men” meets “Silence of the Lambs.”
Writer: Will T. Denson
Genre: Thriller
Agency: Bohrman Agency | Caren Bohrman

THE SURVIVORS (READ)
Logline: Pitched as “Man of Fire” meets “Taken,” having survived a violent home invasion, an estranged husband and wife reunite to seek vengeance on the people responsible.
Writer: Mark William Stein
Genre: Action | Thriller
Agency: ICM | Nicole Clemens
Management: H2F | Chris Fenton
Attachments: Jonathan Hensleigh | Director

CHET CUNNINGHAM: GALACTIC INVESTIGATOR (READ)
Logline: Pitched as “Indiana Jones” in space, story follows Chet Cunningham, the one person on Earth with an alien spaceship. So when humans are abducted, he’s the only man who can bring them home.
Writer: Steve Desmond
Michael Sherman
Genre: Sci-Fi | Action | Adventure
Agency: Kaplan Stahler Agency | Shan Ray
Management: Elevate Entertainment | Jenny Wood

1440 MINS (READ)
Logline: Inspired by true events, a closely knit group of sheltered 18-year-olds from San Diego go on Spring Break in Cabo San Lucas. When one of them is kidnapped they have 24 hours to learn how to become drug smugglers and traverse the state of Baja, CA – all 1,000 miles of it – to make a delivery on time or see their friend get killed.
Writer: Amitabh Klemm
Genre: Action | Thriller
Management: Union Entertainment | Dmitri Johnson

A REALLY (REALLY) DIFFICULT ENGAGEMENT (N/A)
Logline: A newly engaged ad exec, desperate for new accounts, meets a celebrity personal trainer with a fitness and lingerie empire in need of an agency, throwing his life into turmoil.
Writer: Curt Burdick
Jeff Burdick
Genre: Comedy
Agency: Barry Perelman Agency | Barry Perelman

THE BIG STONE GRID (READ)
Logline: A modern-day crime saga set in New York City in the vein of SEVEN.
Writer: Craig Zahler
Genre: Crime | Drama
Agency: UTA | Julien Thuan
Management: Caliber Media | Dallas Sonnier

GUARDIANS OF THE MYTHIC VAULT (READ)
Logline: Pitched as “National Treasure” meets “Journey to the Center of the Earth,” story begins when Robbie Wise discovers that he is next in line in a family that protects mythic artifacts, and who now must race, with his burned out uncle, against a sinister rival organization to uncover the ultimate treasure.
Writer: Daniel Persitz
Genre: Action | Adventure | Fantasy
Agency: Original Artists | Chris Sablan, Matt Leipzig
Management: Hung Entertainment | Jonathan Hung
Details: Based on the After Hours Press comic book “Foxwood Falcons” written by Darren Sanchez and illustrated by Mathew Tow.

GENNERIS (N/A)
Logline: Kept under wraps.
Writer: Nic Kelman
Genre: Sci-Fi | Adventure
Agency: CAA
Details: Writer is a novelist who wrote the book “girls: A Paean”.

FIRE TEDDY (READ)
Logline: After months of searching for a job, an underachieving nice guy is hired as a low level employee at a corporate office. But on his first day, his Machiavellian boss tells him his first task is to fire an employee named Teddy – which proves to be more painfully (and darkly hilariously) difficult than he could have ever imagined…
Writer: Mattew Kaplan
Jason Leinwand
Genre: Comedy
Agency: WME | Rob Carlson & Roger Green
Management: Prolific Entertainment | Will Rowbotham, Andrew Wilson & Chris Ridenhour

FROZEN (READ)
Logline: Pitched as “The Firm” meets “Unbreakable,” story begins when a corporate ax man questions his superiors and a suspicious accident leaves him on the break of death, but also endows him with a supernatural power.
Writer: John Travis
Genre: Supernatural | Thriller
Agency: ICM | Ava Jamshidi

COMIC CON (READ)
Logline: Pitched as a college age thriller.
Writer: Jonathan Watters
Mary King
Marko King
Genre: Thriller
Management: The Mechanic Company | Nick Mechanic
Attachments: Nick Mechanic | Producer

FIRELINE (READ)
Logline: Living in a van, surviving on selling t-shirts and surfing every chance he gets, Noah Fischer (20) doesn’t have a family or much contact with people, but when he is convicted of a crime he never intended to commit, he’s sent up to Northern California to serve out his sentence fighting forest fires. It is here that Noah will learn how to count on others, how to battle the most intense of blazes, and maybe even find the home he never knew he wanted.
Writer: Adam Morrison
Genre: Action | Drama
Management: Book Ends Entertainment | Bethany Stirdivant

UNIDENTIFIED (READ)
Logline: An elite military team sent to investigate a possible UFO crash in the middle of the Pacific Northwest finds the tables turned when the “sole” alien survivor stalks them through the wilderness towards the outskirts of a major city.
Writer: Brian Hurwitz
Genre: Action | Sci-Fi
Management: H2F | Chris Fenton

TIPPING POINT (READ)
Logline: The Story centers on Salomon, a sanctioned Human Hunter in a destroyed world consumed by an over-population problem.
Writer: Todd Stein
Genre: Sci-Fi | Action | Thriller
Agency: WME | Jeff Gorin, Danny Greenberg
Management: Industry Entertainment | Andrew Deane, Jess Rosenthal
Details: Based on the short story “Tipping Point” which premiered on Popcorn Fiction and can be READ HERE.
Project, which originally went out as a pitch in February 2010 had several offers come in, but all were turned down, as Stein decided to write a spec.

THE LAST DROP (Read)
Logline: Story follows a functioning alcoholic who has to face and overcome his substance abuse problem before he loses everything, including his life.
Writer: Brandon Murphy
Philip Murphy
Genre: Comedy | Drama
Agency: WME | Rich Cook
Management: Benderspink | Langley Perer

AGENT OX (READ)
Logline: Pitched as “No Way Out” in space, story follows a human spy living on an alien planet who must stop an invasion of Earth.
Writer: Daniel Kunka
Genre: Sci-Fi | Action | Thriller
Agency: ICM | Harley Copen, Adam Weinstein

TENDERNESS (READ)
Logline: In a future populated by beautiful, lifelike female androids, a security guard must track down a rogue robot accused of murdering a high-end client.
Writer: Eric Freiser
Genre: Sci-Fi | Action
Management: Echo Lake Entertainment
Attachments: Echo Lake Entertainment | Production Co.

SCAVENGERS (aka: BROTHERHOOD OF SCAVENGERS) (READ)
Logline: Three estranged brothers discover that in order to collect their inheritance, they will have to go out on a scavenger hunt to find treasure left behind by their adventurous father after his death.
Writer: Christopher Baldi
Genre: Adventure | Comedy | Drama
Agency: CAA | Bill Zotti
Management: ROAR | Josh Adler

Continued...
« Last Edit: May 06, 2011, 12:33 PM by Tom & Jerry » Logged

Am I making sense?
Tom & Jerry
Cat & Mouse
The True Black Meat
**
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Posts: 227



WWW
« Reply #1 on: April 23, 2011, 03:01 PM »

LOCKDOWN (READ)
Logline: A disgraced former secret service agent working security at an advanced bio-research facility is forced to initiate a quarantine during the announcement of the CEO’s presidential candidacy – the conspiracy deepens as the former agent discovers the lockdown may not be protecting the rest of the world from the virus, but is keeping those inside safe from a greater attack on the outside.
Writer: Jake Sarnowski
Genre: Thriller
Management: Black Sheep Entertainment | Jordana Mollick & Brendan Bragg

NEVERLAND (HENRY/KJELDSEN) (READ)
Logline: A dark twist on the classic “Peter Pan” tale, in which Pan is a villain, kidnapping all of London’s kids to mine his island for the precious faerie dust that keeps him young, and Captain Hook is a young man, who must steal a ship and sail to Neverland to battle Pan, save the children, and free his imprisoned girlfriend.
Writer: Aaron Henry
Kirk Kjeldsen
Genre: Adventure | Action | Fantasy
Agency: UTA | Charlie Ferraro
Management: Aperture Entertainment | Adam Goldworm

THE LAST WITNESS (READ)
Logline: Story follows the lone survivor of a bomb attack in Boston.
Writer: Stefan Jaworski
Genre: Thriller
Agency: Paradigm | Trevor Astbury, Valarie Phillips

THE NAMELESS (N/A)
Logline: A modern-day Western, set in a top-secret facility operated by the U.S. Marshal’s Federal Witness Protection Program housing witnesses awaiting new identities. When the area’s location is compromised, an idealistic marshal and the town’s inhabitants take a stand against a team of assassins determined to execute the key witness in an upcoming trial.
Writer: Chris Bullett
Genre: Thriller | Western
Agency: Gersh | Greg Pedicin
Management: ROAR | Michael Goldberg, Josh Adler

IN THE BELLY OF THE WHALE (N/A)
Logline: Set in the depths of the Alaskan wilderness, an unfaithful wife and her lover endure a sadistic game driven by her filmmaker husband and a religious zealot.
Writer: Steven Doxey
Scott Hinckley
Brandon Sean Pearson
Genre: Thriller

MONSTERS OF THE MIDWAY (READ)
Logline: Kept under wraps.
Writer: Jeff Lowell
Agency: UTA | Jon Huddle, Doug Johnson, David Kramer
Management: Management 360 | Daniel Rappaport
Attachments: Management 360 | Production Co.
Daniel Rappaport | Producer

LOST & CROWNED (UNTITLED BACCHUS PROJECT) (N/A)
Logline: Pitched as “Kung Fu Panda” meets “Percy Jackson and the Olympians,” story is an animated coming-of-age story about Bacchus, the Greek god of wine.
Writer: Oley Sassone
Genre: Action | Comedy | Fantasy | Animation
Management: Empirical Management | Scott Leddy

AMERICAN LIES (Read)
Logline: A student at Georgetown interviewing with the CIA is called on to spy on another student at the University. It turns out that things aren’t what they seem and he may not be working for the CIA after all.
Writer: Robert Patino
Genre: Thriller
Agency: WME | Rich Cook, Phil Raskind, David Karp
Attachments: John Singleton | Director
Tim White | Producer

TRANSATLANTIK (READ)
Logline: In the vein of “Frantic” – When her fiancé is kidnapped by a gang in Prague, a young American woman is tasked with returning their stolen merchandise.
Writer: Anthony Jaswinski
Genre: Thriller
Agency: WME | David Lubliner
Management: Circle of Confusion | Ashley Berns

THE SLACKFI PROJECT (READ)
Logline: A hapless and broken hearted barrista is visited by two bad-ass soldiers from the future who tell him mankind is doomed unless he alone can save them.
Writer: Howard Overman
Genre: Sci-Fi | Action | Adventure
Agency: UTA
Attachments: Matt Tolmach | Producer

4 SALE BY JERKS (READ)
Logline: Pitched as in the vein of “Wedding Crashers” or “I Love You, Man,” the story follows BFF couples who go to war when they are forced to put their identical suburban homes on the market at the same time.
Writer: Jay Arnold
Genre: Comedy
Management: 6-17 Management | Geoff Alexander
Attachments: 6-17 Productions | Production Co.
David Greathouse | Producer
Geoff Alexander | Producer

SOMETHING CLIQUED (READ)
Logline: After a terrible day, Penny Talbot wishes she was a somebody in her high school, specifically the most popular girl, the most athletic and the class president. When her wish becomes an unexpected reality, she lives through the girls’ bodies and gets a chance to see how the other side lives.
Writer: Karen Bloch Morse
Genre: Teen | Comedy
Agency: Gersh
Management: Underground
Attachments: Andrew Panay | Producer
Trevor Engelson | Producer
Nick Osborne | Producer

DIRTY GRANDPA (READ)
Logline: Story follows a recently widowed older man getting to know his grandson who is about to marry a girl who is not right for him.
Writer: John Phillips
Genre: Comedy
Agency: ICM | Adam Weinstein, Aaron Hart

BREAKING UP WITH THE BERTNERS (READ)
Logline: A classic breakup story, but instead of a guy girl split it’s 2 couples in the midst of a painful divorce. Evan and Jen Bertner have a BFF couple in Brad and Rachel Schuster. They literally spend 5 nights a week together, but when the Bertners discover that the Schusters have been secretly seeing a much hotter, smarter, richer, and all around cooler couple they go to increasingly desperate lengths to win the Schusters back, nearly destroying their own marriage in the process.
Writer: Fax Bahr
Adam Small
Agency: CAA | Bill Zotti
Attachments: Hotplate Productions | Production Co.
Karz Entertainment | Production Co.

ZOMBIE PET SHOP (READ)
Logline: When a mysterious plague sweeps through a mall pet shop, turning all of the animals into zombies, an ordinary pug named Joey must come to the rescue to find the antidote that will save his four-legged friends, as well as the humans that might take them home.
Writer: EL Katz
Genre: Action | Comedy | Horror | 3D | Animation
Agency: Gersh
Management: Generate

GOOD TIME GANG (READ)
Logline: Two hard-partying mercenaries are forced by the CIA to catch a mercenary-turned-terrorist who turns out to be the father of one of the mercs.
Writer: Max Landis
Genre: Action | Comedy
Agency: WME | Simon Faber, David Karp
Management: Circle of Confusion | Britton Rizzio, David Alpert

VOICES FROM THE DEAD (N/A)
Logline: Follows the friendship between magician Harry Houdini and mystery author Sir Arthur Conan Doyle as they team up with a psychic to solve a series of bizarre murders in 1920s New York.
Writer: J. Michael Straczynski
Genre: Mystery | Thriller
Agency: CAA | Martin Spencer

KIDNAPS, INC. (READ)
Logline: Kept under wraps.
Writer: Matthew Benjamin
Logan Brown
Genre: Action | Adventure
Management: Circle of Confusion | Ken Freimann

THE NANA IN ME (READ)
Logline: After a teenage boy is possessed by his dead grandmother, the two team up to make him a cool kid in school and to rectify her estranged relationship with her daughter.
Writer: Haley Fisher
Jason Graham
Genre: Comedy | Fantasy
Agency: APA | Debbie Deubl, David Boxerbaum
Management: Circle of Confusion | Britton Rizzio, Kemper Donovan

THE DISENGAGEMENT (READ)
Logline: When David accidentally proposes to his best friend, Olivia, she surprises him by saying “yes,” revealing that she’s always secretly been in love with him. Now, David is engaged to the wrong girl and in desperate need of a way out!
Writer: Dan Hernandez
Benji Samit
Genre: Romantic Comedy
Agency: Preferred Artists
Management: Luber Roklin Entertainment | Matt Luber

MEET THE NEW BOSS (READ)
Logline: Pitched as “Fatal Attraction” meets “2001.”
Writer: Brian Gatewood
Alessandro Tanaka
Genre: Comedy
Agency: UTA | Charlie Ferraro, Keya Khayatian
Management: Industry Entertainment | Eryn Brown

PRIVATE WAR (READ)
Logline: An elite team of private soldiers is left for dead on a black-ops mission and the survivors hunt down the people within their organization who are responsible.
Writer: Jeff Timon
Genre: Action | Thriller
Agency: ICM | Harley Copen
Management: Silvera Management | Justin Silvera

THE COURAGEOUS (READ)
Logline: Loosely based on Rudyard Kipling’s novel “Captain’s Courageous,” story centers on the richest and most spoiled young man in the universe, who falls overboard from his luxury liner and is left drifting until he is picked up by a small mining ship and forced to work for his keep, while being denied every privilege, comfort and care he previously took for granted.
Writer: Craig Fernandez
Genre: Adventure
Agency: Original Artists | Jordan Bayer
Attachments: Jon Shestack Productions | Production Co.
Jon Shestack | Producer

REFUGE (READ)
Logline: Pitched as “People Under the Stairs” meets “The Strangers,” the story centers on a husband and wife who “collect” humans and kill for the rush. When a young couple find themselves stranded for the night, they take refuge in the house of horrors, only to discover everyone isn’t who they claim to be.
Writer: LD Goffigan
Genre: Horror| Thriller
Management: Silent R Management | Jewerl Ross

VALET (aka: UNTITLED MICHAEL BAY/TAYLOR LAUTNER PROJECT (READ)
Logline: Pitched as "Mr. & Mrs. Smith meets "Wanted".
Writer: Jason Hall
Genre: Action | Thriller
Agency: CAA
Management: Management 360
Attachments: Michael Bay | Director
Taylor Lautner | Cast

UNPLUGGED (READ)
Logline: After a freak accident, a technologically reliant businessman finds himself faced with a new reality: No matter where he goes, all electronics around him cease to work.
Writer: Brian Sharp
Jared Ingram
Genre: Comedy
Management: The Muraviov Company | Kathy Muraviov

ARTICLE III (N/A)
Logline: Story follows a 26-year-old law clerk who’s girlfriend is abducted in a plot to swing his aging bosses vote on a Supreme Court trial.
Writer: Aaron Tracy
Genre: Thriller
Agency: CAA | Grant Kessman

UNDERTOW (READ)
Logline: Pitched as a cat-and-mouse action/thriller in the vein of “Out of Sight” and “The Town,” the story follows a FBI agent who realizes that she’s in love with the man she just put in prison and risks everything to break him out.
Writer: Pablo Fenjves
Genre: Action | Thriller
Agency: UTA | Charlie Ferraro, Ramses Ishak, Michael Sheresky
Management: Madhouse Entertainment | Adam Kolbrenner, Chris Cook

TIMELOCK (READ)
Logline: Pitched as “Inside Man” meets “Rashomon,” story is a contained, ticking clock heist/thriller.
Writer: Terry Miles
Genre: Thriller
Management: H2F | Chris Fenton

THE DECLARATION (READ)
Logline: Pitched as “Hunger Games” meets “Logan’s Run.” In a future (2140) where Man has conquered death and aging through medicine, and illegally-born children are locked away, two teenagers will risk everything to challenge the system and reunite with their parents.
Writer: Marcos Efron
Genre: Sci-Fi
Agency: Original Artists | Chris Sablan
Management: Hung Entertainment | Jonathan Hung
Attachments: Laurence Mark Productions | Production Co.
Laurence Mark | Producer
Details: Based on “The Declaration” trilogy written by Gemma Malley.

ROSEMARY (READ)
Logline: When Mary, the school diva at a stuffy New England prep school, accuses a teacher of sexual assault, her innocent and sheltered friend Rose will do anything to support her. As the line between truth and lie blurs, Rose is drawn into a twisted world of deceit and obsession.
Writer: Liz Cotone
Genre: Drama | Teen
Management: Art/Work Entertainment | Spencer Robinson

THE NEVER LAND (READ)
Logline: Pitched as “Wicked” meets “Twilight,” the story is a contemporary re-imagining of “Peter Pan.”
Writer: John Swetnam
Genre: Action | Adventure | Fantasy
Agency: APA | David Boxerbaum
Management: FilmEngine | Jake Wagner

EL DORADO (READ)
Logline: Kept under wraps.
Writer: Gary Spinelli
Genre: Action | Thriller
Agency: Gersh | Sean Barclay, Greg Pedicin, Frank Wuliger
Management: ROAR | Josh Adler, Michael L. Goldberg
Attachments: Jeffrey Nachmanoff | Director
Mayhem Pictures | Production Co.
Essential Entertainment | Production Co.

STASH HOUSE (READ)
Logline: Pitched as “Strangers” meets “Panic Room”, story centers on a young couple, who upon moving into their dream starter house, discovers that the dangerous men on the lawn will stop at nothing to retrieve what they are now locked inside with.
Writer: Gary Spinelli
Genre: Action | Thriller
Agency: Gersh | Frank Wuliger
Management: ROAR | Adam Goldberg, Josh Adler

CIVILIAN (READ)
Logline: After an innocent bystander stumbles upon an attempted CIA assassination of one of their own deep cover agents, he is forced to go on the run for his life as he finds himself in the center of a far-reaching security conspiracy. In the vein of “Fugitive” or “Enemy of the State.”
Writer: Michael DeWil
Genre: Action | Thriller
Management: 6-17 Management | Geoff Alexander

THE FRONTIERSMAN (READ)
Logline: Pitched as “CITY SLICKERS” meets “WITHOUT A PADDLE”, centers on three best buds who unwittingly end up on a brutal wilderness survival trek through Alaska in the hunt to find their mojo, having been deflated by life in their 30’s.
Writer: Nicholas Thomas
Genre: Drama | Comedy | Adventure
Agency: APA | Debbie Deuble

DISAPPEARANCE (READ)
Logline: Pitched as “Enemy o the State” meets “The Forgotten,” story follows a woman whogets pulled into a dangerous government conspiracy after her brother mysteriously vanishes in front of her eyes, and embarks on a journey with a lone scientist to unravel the unimaginable truth.
Writer: David O’Leary
Genre: Sci-Fi | Mystery| Thriller
Management: Zero Gravity Management | Eric Williams

LINE OF SIGHT (aka: UNTITLED F. SCOTT FRAZIER PROJECT) (READ)
Logline: Kept under wraps.
Writer: F. Scott Frazier
Genre: Action | Thriller
Agency: WME | Mike Esola
Management: H2F | Chris Fenton

GRUNTS (READ)
Logline: Pitched as “X-Men” meets “The Expendables” and based on the the comic book series, from Keith Giffen and Shannon Denton. When a team of Genetically-altered Super Soldiers are betrayed, and left for dead behind enemy lines, they soon find themselves caught in a fight for survival against a country that wants to erase all evidence of their existence, and a corrupt Bureaucrat hellbent on creating his own brand of Super Troops.
Writer: Rock Shaink Jr.
Mark Jonathan Stanley
Genre: Action | Adventure
Agency: Bohrman Agency | Caren Bohrman
Management: Circle of Confusion | Kemper Donovan
Attachments: Sean O’Reilly | Executive Producer
Details: Based on the comic book series “Grunts” written by Shannon Denton and Keith Giffen.

BLACK OUT (READ)
Logline: After moving to Chicago with his fiancé-to-be, Milwaukee-native Bob Freeman comes to the jaw-dropping discovery that he’s actually Benjamin Sprout, a loving family man who vanished from the Windy City two years earlier after suffering the mother of all blackouts.
Writer: Peter Craig
Genre: Comedy
Agency: Paradigm | Mark Ross

SISTER-IN-LAW (READ)
Logline: A suburban dad plans a boys’ weekend in Miami, but when his wild sister-in-law tags along, all hell breaks loose.
Writer: Robyn Harding
Genre: Comedy
Management: Magnet Management | Brandy Rivers
Details: Spec hits the market Monday, February, 7th.

THE WAY BETWEEN (READ)
Logline: Tells the tale of 18-year-olds Sam and Franny; two young lovers who managed to transcend their love together through life, and death.
Writer: Jennifer Lee
Genre: Supernatural | Romance | Teen
Agency: CAA | Chris Till
Management: Code Entertainment | Rich Freeman

HARKER: BRAM STOKER’S DRACULA PROJECT (READ)
Logline: Kept under wraps.
Writer: Lee Shipman
Brian McGreevy
Genre: Horror | Thriller | Supernatural
Agency: Paradigm | Trevor Astbury
Management: Mad Hatter Entertainment | Michael Connolly
Attachments: Appian Way | Production Co.
Jaume Collet-Serra | Director
Details: Project will go directly to buyers.

HEADSHOT (READ)
Logline: A police officer and a notorious hitman, both looking for vengeance after their respective partners are killed, discover that they have a common enemy.
Writer: Alessandro Camon
Genre: Crime | Thriller | Action
Agency: Original Artists | Matt Leipzig
Attachments: Millar/Gough Ink | Production Co.
Alexandra Milchan | Producer
Alfred Gough | Producer
Miles Millar | Producer
Sylvester Stallone | Actor
Details: Based French Casterman graphic novel “Du Plomb Dans La Tete” written by Alexis Nolent (aka Matz) and illustrated by Colin Wilson.

KLIKUSHI (READ)
Logline: Pitched as being in the vein of THE EXORCIST and ROSEMARY’S BABY. On an isolated island in Puget Sound, a girl is burned alive in a Russian Orthodox Church during an exorcism that goes wrong… followed by the gruesome, inexplicable suicides of three monks who participated in the exorcism. Fourteen years later, the teenage daughter of the architect hired to rebuild the church is seemingly possessed by the same evil entity, “Klikushi,” that has plagued the Russian Orthodox Church for centuries.
Writer: Rob Shouse
Gary Stephens
Genre: Supernatural | Thriller
Management: Accelerate Entertainment | Bettina Viviano

EXCHANGED (READ)
Logline: A smart twisty thriller in the vein of DISTURBIA. An underachieving teen genius finds himself thrust into a prestigious summer exchange program in Prague that exposes him to high level government officials. Sounds like fun… until he discovers that he’s exchanged places with a trained assassin who has threatened to kill his family unless he helps in a deadly conspiracy.
Writer: Geoff Haley
Genre: Thriller
Agency: Gersh | Abram Nalibotsky
Attachments: Geoff Haley | Director
Beau Bauman | Producer

EXPIRATION (READ)
Logline: Kept under wraps.
Writer: Brian Tucker
Agency: WME | Chris Donnelly, Greg Hodes

MACK DADDY (READ)
Logline: When womanizing, retired tennis pro Teddy Mack discovers he has a 20-year-old daughter, the two team up as a Mixed Doubles pair to win the U.S. Open and reconcile their past in the process.
Writer: Tom Sheridan
Genre: Comedy | Drama
Management: Sutton Place Entertainment | Garth Friedrich

GODDAMN LAWYERS (READ)
Logline: When his life is destroyed by a corrupt CEO, a once idealistic attorney convinces his lawyer pals to use their legal skills in a very illegal way: pulling an impossible heist against the crooked executive.
Writer: Jesse Wheeler
Genre: Action | Comedy
Management: Marc Manus Entertainment | Marc Manus

RED SKIES (READ)
Logline: Pitched as EAGLE EYE meets X-MEN, story centers on Sean Briggs, who has spent years silencing childhood visions of an alien world. Now, those visions have resurfaced and he finds himself falling into a nightmare. Pursued by rival forces and uncertain who to trust, Sean is forced to confront a terrifying truth – he’s a human/alien hybrid whose allegiance to either side will determine the ultimate fate for both species.
Writer: Scott Blum
Genre: Sci-Fi | Action | Thriller
Agency: APA | David Boxerbaum
Management: Madhouse Entertainment | Adam Kolbrenner
Attachments: Atmosphere Entertainment | Production Co.
Mark Canton | Producer
David Hopwood | Producer
Lee Kramer | Producer
Scott Burn | Producer

REPENT HARLEQUIN (aka: UNTITLED STRACZYNSKI SPEC) (READ)
Logline: Based on a short story by Harland Ellison.
Writer: J. Michael Straczynski
Genre: Sci-Fi
Agency: CAA | Chris Harbert

FLIGHT RISK (READ)
Logline: Kept under wraps.
Writer: Sean Hennen
Genre: Action | Thriller
Agency: ICM | Aaron Hart, Lars Theriot
« Last Edit: May 06, 2011, 12:34 PM by Tom & Jerry » Logged

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« Reply #2 on: April 23, 2011, 03:02 PM »

THE BEAUMONTS AND THE AXIS OF FATE (N/A)
Logline: Pitched as being a four-quadrant “GOONIES” but loaded on Red Bull.
Writer: Max Gee
Genre: Action | Adventure
Agency: The Bohrman Agency | Caren Bohrman

STOKER AND WILDE (READ)
Logline: Pitched as “Sherlock Holmes” meets “Dracula”, story takes place in 1897, with Bram Stoker teaming up with Oscar Wilde to save his wife and kill the very real Dracula.
Writer: Michael Arthur De Luca
Genre: Action | Comedy

THE HAUNTREPRENEUR (READ)
Logline: Kept under wraps.
Writer: Scott Rosenberg
Agency: WME | Adriana Alberghetti, Ari Greenberg

POINT MAN (READ)
Logline: Pitched as being in the vein of “The Warriors” meets “Midnight Run,” the story follows a Manhattan limo driver who is forced to deliver an infamous passenger with a bounty on his head from New York City to San Francisco in 24 hours.
Writer: Sascha Penn
Genre: Action | Thriller
Management: Madhouse Entertainment | Adam Kolbrenner

THE CHRISTMAS CODE: TWAS THE NIGHT BEFORE CHRISTMAS (READ)
Logline: Pitched as “National Treasure” meets “Santa Clause” – When Santa Claus is kidnapped from the North Pole, the secret to finding him is revealed to be hidden in the text of the poem, ‘Twas the Night Before Christmas. Now it’s up to the great-great-great-grandson of the poem’s author – a suburban Dad in Upstate New York, to team up with Santa’s most loyal elf to unlock the clues in time to rescue St. Nick before Christmas morning.
Writer: Steve Altiere
Daniel Altiere
Genre: Comedy | Adventure | Family
Agency: Paradigm | Scott Henderson
Management: Hung Entertainment | Jonathan Hung

THE AMATEUR (READ)
Logline: Pitched as being in the vein of “TAKEN” and “ABDUCTION” – when two brothers take the quintessential backpacking trip through Europe, the older, more experienced brother is kidnapped. Now, lost in a foreign country where he does not know the language, the younger, irresponsible brother must rise to the occasion and rescue his big brother.
Writer: David Case
Genre: Action | Thriller
Agency: Kaplan Stahler Agency | Shan Ray
Management: Heroes and Villains Entertainment | Mikhail Nayfeld, Markus Goerg

THE DOMAIN (N/A)
Logline: Pitched as “Gattaca” meets “Children of Men”.
Writer: Michael Raymond
Genre: Sci-Fi | Thriller
Management: Anarchy Management | Sammy Montana

AESOP & THE MOUNTAIN KING (Read)
Logline: Kept under wraps.
Writer: Seth Lochhead
Genre: Adventure | Thriller
Agency: WME | Cliff Roberts, David Karp
Management: Kemper Donovan | Circle of Confusion

LADY PARTS (Read)
Logline: Pitched as being a female “40 Year Old Virgin” – story centers on a sexually repressed woman who finally comes out of her shell.
Writer: Miranda Thompson
Genre: Comedy
Agency: UTA | Julian Thuan, Jenny Maryasis

MIDNIGHT SPECIAL (READ)
Logline: Pitched as “Superbad” meets “The Hangover” in the aftermath of one epic Prom.
Genre: Teen | Comedy
Writer: Joe Ballarini
Agency: APA | David Boxerbaum
Management: George Heller

SPECTER (N/A)
Logline: When two young scientists invent a camera that allows them to see ghosts, they find themselves being haunted by a woman with a secret who was murdered twenty years before.
Writer: Todd Berger
Genre: Supernatural | Thriller
Agency: Paul Kohner Agency | Stephen Moore
Management: Kaplan/Perrone | Aaron Kaplan

THE WATCHING HOUR (READ)
Logline: Story centers on a family trapped in their home during a terrifying alien home invasion.
Writer: Carey Van Dyke
Shane Van Dyke
Genre: Thriller | Sci-Fi
Agency: Paradigm
Management: Mad Hatter Entertainment | Michael Connolly
Attachments: Michael Connolly | Producer

DISRUPTION (N/A)
Logline: Pitched as being in the vein of ENEMY OF THE STATE meets THE SUM OF ALL FEARS, story centers on a scientist who must find her estranged father after he is accused of orchestrating gruesome attacks using a top-secret government weapon that makes anybody with a cell phone a potential target.
Writer: Todd Serlin
Genre: Action | Thriller
Management: The Operating Room | John Adams

GRINGOS (READ)
Logline: R-rated comedy in the vein of STRIPES, set in the Border Patrol. Two down and out dudes from San Diego try to change their lives, become heroes, and get laid by joining the border patrol.
Writer: Don Michael Paul
Genre: Comedy
Agency: APA | Ryan Saul

QUID PRO QUO (Read)
Logline: Kept under wraps.
Writer: Deborah Dean Davis
Margaret Oberman
Genre: Comedy
Agency: ICM | Kathleen Remington, Nicole Clemens

BIG BASEBALL PLAYER (N/A)
Logline: A washed-up Yankees pitcher returns to the major leagues to win back the woman he loves when she starts dating the Red Sox’s star slugger.
Writer: Alex Drummond
Genre: Sports | Romance | Comedy
Management: Samurai MK | Mike Kuciak

THE FOURTH DAY (READ)
Logline: Pitched as a contemporary actioneer with a “Highlander” slant, story follows a group of ancient Irish warriors who still hunt The Morrigani today; a supernatural faction who blends into our society and steals the human souls needed to empower an imprisoned pagan goddess. With four days to go before she’s unleashed onto the world, the chieftain must find a way to defeat the Morrigani and their inhuman champion, who was once, two thousand years ago, the chieftain’s most trusted warrior.
Writer: Alyssa Alexandria
Alyssa Alexandria | Story
Henry Gilroy | Story
Genre: Action
Management: 6-17 Management | Geoff Alexander
Gotham Group | Peter McHugh

ZERO HOUR (READ)
Logline: A CIA Special Ops expert is called back into action to hunt down the leader of a rising extremist group in Northern Pakistan. The young leader is believed to be his son who was abducted 20 years ago in a sabotaged mission and presumed dead.
Writer: Nathan Marshall
Genre: Action | Thriller
Management: Stone Canyon Media | Ryan Lewis

BEST MAN (READ)
Logline: In the spirit of “Date Night”, a Canadian dermatologist ends up on a ‘no fly’ list and must break into the country to attend the wedding of his best friend. On the run from the FBI, he is aided and abetted by an aspiring singer who is looking to use her fifteen minutes of fame on TV to launch a singing career.
Writer: Steve Bloom
Genre: Action | Comedy
Agency: APA | David Saunders

WARD 4 (READ)
Logline: Pitched as “Disturbia” meets “Coma” set in a hospital, story follows Josh Lambert, a troubled attention seeking sixteen year old son of a controversial DC politician, witnesses a Nurse and Doctor killing patients to harvest their organs on Ward 4, not only does no one believe him but it puts the life of his sick younger sister in jeopardy when she’s placed in the Doctor and Nurse’s care.
Writer: Michael Calladine
Genre: Thriller
Management: Hung Entertainment | Jonathan Hung

RIP, ROAR, ROMANCE (READ)
Logline: Pitched as “Something Wild” meets “The Hangover”, story follows the off-kilter relationship between a wild, unpredictable girl with a plan and a recently dumped guy that has no idea what’s in store for him… a relationship that she will only allow to last 24 hours.
Writer: Mike McCrary
Genre: Comedy
Agency: Paradigm | Chris Smith
Management: MXN | Mason Novick
Details: Out to producers.

THE GREYS (COHEN) (READ)
Logline: Kept under wraps.
Writer: Adam Cohen
Genre: Sci-Fi | Thriller
Agency: Paradigm | Scott Henderson
Management: Evolution Entertainment | Stephen Gates, Evan Corday
Attachments: Sean Furst | Producer
Bryan Furst | Producer
Furst Films | Production Co.
Radar Pictures | Production Co.
Javier Gutierrez | Director

EVIDENCE (READ)
Logline: When the police arrive at an abandoned desert gas station after a brutal massacre, they find no evidence at the crime scene except for some of the victim’s personal electronics, which include a video camera, a Flip-cam, and two cellphones. With nothing else to go on, a troubled detective must analyze and piece together the footage from the personal electronics in order to figure out what the hell happened and who the killer is.
Writer: John Swetnam
Genre: Horror | Thriller
Agency: APA | David Boxerbaum
Management: FilmEngine | Jake Wagner

X (READ)
Logline: Story centers on the real history of the now infamous treasure site OAK ISLAND.
Writer: Ryan Belenzon
Jeffrey Gelber
Genre: Action | Thriller
Attachments: Radar Pictures | Production Co.
Details: Out from Radar Pictures.

CROSSHAIR (READ)
Logline: Pitched as an espionage thriller in the vein of BOURNE meets TAKEN. After settling into the life of loving husband and devoted father, a former assassin for the CIA learns he’s been brainwashed to kill the President of the United States. To his horror, Justin Weller has discovered that in less than 48 hours something or someone will trigger his suppressed program and send him into deadly and irreversible action.
Writer: Morgan Davis Foehl
Genre: Action | Thriller
Agency: WME | Mike Esola
CAA | Matthew Rosen
Management: Wirehouse Entertainment | Jessica Jordan
Attachments: Mandeville Films | Production Co.
Details: Based on the Top Cow comic created by Marc Silvestri and written by Jeff Katz.
Direct into buyers.

ENTRY LEVEL (READ)
Logline: After he mysteriously awakens in a super high-security building, a young man is forced to complete a series of tasks that will implicate him in a much larger crime.
Writer: Benjamin Hurley
Genre: Action | Thriller
Agency: Verve
Management: Caliber Media
Attachments: Practical Pictures | Production Co.
Details: In direct to buyers.

THE INTERN (READ)
Logline: When two down on their luck con men need a third man for their next job, instead of cutting in another criminal, they hire an intern.
Writer: Stu Gibbs
Genre: Action | Comedy
Agency: ICM | Ava Jamshidi
Management: Magnet Management | Jennie Frankel
Details: Project will be hitting the market this afternoon.

PROM NIGHT ABDUCTIONS (READ)
Logline: Follows ten seniors on their prom night who are methodically selected for abduction by aliens.
Writer: Curt Burdick
Scott Burdick
Genre: Horror
Agency: Barry Perelman Agency | Barry Perelman
Management: The Bauer Company | Josh Bauer

CRASH WEDNESDAY (READ)
Logline: A group of guys are forced to travel to New Orleans during Mardi Gras to try and track down the guy they accidentally sold an engagement ring to, and to get back in time for an elaborately planned proposal. While there, our about to be engaged guy runs into a former flame and enlists her help. As they try and track down the ring he starts to question if he should be getting married in the first place.
Writer: Josh Cootner
Barry E. Price
Genre: Comedy
Agency: Verve | Adam Levine, Bryan Besser, Bill Weinstein
Management: Madhouse Entertainment | Adam Kolbrenner, Chris Cook, Ryan Cunningham
Attachments: Madhouse Entertainment | Executive Producer

ROSE RED (READ)
Logline: Pitched as “Tangled” meets “Princess Bride”, the story tells the tale of Rose Red – Snow White’s tomboy sister, who though having a strained relationship with her sister, was responsible for getting her Prince to kiss Snow White and save her life.
Writer: Justin Merz
Genre: Family | Adventure | Comedy
Agency: APA | Ryan Saul
Management: Festa Entertainment | Dannie Festa
Details: Project was slid to a handful of producers Weds. night (01.19.11).

SEX TAPE (READ)
Logline: About the way in which a sex tape affects the relationship between an average guy and a not-so-average girl over the course of a number of months, as we zip back and forth in time and examine key moments of their relationship.
Writer: Nick Kreiss
Genre: Romantic Comedy
Management: Circle of Confusion | Kemper Donovan

IN THE EVENT OF A MOON DISASTER (READ)
Logline: Story follows Buzz Aldrin and Neal Armstrong as they overcome disaster on Apollo 11, the spacecraft that landed the first humans on the Moon.
Writer: Mike Jones
Genre: Sci-Fi | Drama
Agency: CAA | David Kopple

AMARANTH (READ)
Logline: Pitched as “Memento” meets “Alien,” story follows a pilot who is sent to resupply a space station and finds himself trapped in a time-loop with the crew. Strangely, he maintains his memory thru the replays, and finds he must win over the unaware and hostile crew in order to escape an eternal Promethean death cycle.
Writer: Brad Kean
Patrick Aison
Genre: Sci-Fi | Thriller
Management: H2F | Chris Fenton

A MANY SPLINTERED THING (READ)
Logline: Pitched as a young romantic comedy in the vein of “500 Days of Summer”.
Writer: Chris Shafer
Paul Vicknair
Genre: Romantic Comedy
Agency: UTA | Jason Burns, Allan Haldenman, Jon Huddle, Max Michael
Management: Brillstein Entertainment | Missy Malkin, Jeff Schroeder

THE AWAKENING (ONI) (READ)
Logline: Story centers on a prestigious private school that is well known for two things: only accepting beautiful young women for its student body and for being highly scrutinized for the number of those girls that go missing each year. But, when young Francesca begins to attend the school, and stumbles upon the horrifying reasons behind the disappearances, she enters a race to spread the truth to her fellow classmates before she becomes one of the latest to disappear.
Writer: Carly Feingold
Brooke Fisher
Genre: Thriller
Agency: ICM | Ava Jamshidi
Attachments: Closed On Mondays | Production Co.
Peter Schwerin | Producer

X COUNTRY (N/A)
Logline: While on a drive cross-country, a group of college kids returning to school get caught up in the middle of a mysterious world apocalypse. The story is told from the characters’ perspectives as they are cut off from nearly every form of communication, banding together to survive and solve the mystery of a series of world-altering events.
Writer: Alex Daltas
Genre: Action | Thriller
Agency: ICM | Doug MacLaren
Management: Faction M | Kailey Marsh

FATHER DAUGHTER TIME (aka: FATHER DAUGHTER TIME: A TALE OF ARMED ROBBERY AND ESKIMO KISSES) (READ)
Logline: Story follows an ex-con on the lam who, along with his daughter, goes on a 3-state crime spree.
Writer: Matthew Aldrich
Genre: Thriller
Agency: CAA | Stuart Manashil
Management: Silent R | Jewerl Ross

FROM MIA WITH LOVE (N/A)
Logline: Pitched as being in the vein of “Risky Business” and “Weird Science,” the story follows three desperate guys who, in an attempt to lose their virginity, order a Russian mail-order bride, only for her to arrive with baggage and no plans to bed them.
Writer: Seth Grahame-Smith
David Katzenberg
Bryan Shukoff
Kevin Chesley
Genre: Coming-of-age | Comedy
Agency: WME | Cliff Roberts, Daniel Shear, Jeff Gorin, Jennifer Rudolph Walsh
Management: Circle of Confusion | Zach Cox, Lawrence Mattis
Attachments: Katsmith Productions | Production Co.
David Katzenberg | Director
Seth Grahame-Smith | Producer
David Katzenberg | Producer

3 KNIGHTS IN CHICAGO (READ)
Logline: Pitched as “Ghostbusters” meets “The Hangover”.
Writer: Mitch Rouse
Jay Leggett
Genre: Comedy
Management: Principato/Young | Peter Principato, Tucker Voorhees

ID THEFT (N/A)
Logline: When a lazy ID thief accidentally steals the identity of a falsely-accused spy on the run, the two must work together to keep him alive and clear her name.
Writer: Ben Epstein
Graham Moore
Genre: Action | Comedy
Management: The Safran Company | Tom Drumm

ONE GIANT LEAP (READ)
Logline: Pitched as being in the vein of “WAG THE DOG”, but with a fake mission to Mars.
Writer: David Posamentier
Geoff Moore
Genre: Comedy
Agency: ICM | Adam Weinstein
Management: Kaplan/Perrone | Aaron Kaplan

HAVERSTOCK HILL (READ)
Logline: Endowed with an unique gift, a young British woman emerges from the shadow of her overbearing mother and inadvertently combats an evil world plot, with the help of supernatural protectors, an ancient Chinese oracle, and her rebellious American cousin.
Writer: Tish Lampert
Alexa Sau
Genre: Supernatural | Action | Adventure
Management: AM Management | Anne McDermott

INTO THE DARK (N/A)
Logline: In order to escape their cruel stepmother, a teenage brother and sister run away to New York City only to be taken in by a friendly and affluent older woman who turns out to be a psychopath. The siblings must now escape from her sprawling apartment building and fight for their lives against a widening group of high-society attackers, all the while uncovering the nature of a conspiracy.
Writer: Travis Baker
Richard Tanne
Genre: Thriller
Management: Dobre Films | Mike Klein
Attachments: Dobre Films | Producer

THE HUM (N/A)
Logline: Pitched as being in the tone of “Conspiracy Theory,” story follows a man investigating the paranormal phenomena known as “The Hum.”
Writer: David Carlyle
JS Mayank
Genre: Supernatural | Thriller
Management: Circle of Confusion | Kemper Donovan

ZOMBIE LOGIC (FAST VS. SLOW) (N/A)
Logline:   Pitched as being in the vein of “Zombieland” and “Shaun of the Dead,” the story follows two guys who find themselves in the wrong place at the wrong time and have to confront their greatest fears.
Writer:   Grant Sullivan
Genre:   Comedy | Horror
Management:   Silver Mine Entertainment | Josh Silver

VIRGIN TERRITORY (READ)
Logline:   Pitched as being the comedy version of “Taken.” In a race to stop his 16-year-old daughter from losing her virginity on spring break, an overprotective Dad is forced to team up with a high school geek who happens to be in love with her too.
Writer:   Adam Davis
Genre:   Action | Comedy
Management:   Benderspink | JC Spink, Jill McElroy
Attachments:   Benderspink | Production Co.
Beau Bauman | Producer
Matthew Stuecken | Producer
Jill McElroy | Executive Producer
JC Spink | Executive Producer

DEFCON ONE (READ)
Logline:   Trapped deep underground in a nuclear launch control center, two Missileers struggle to survive as a battle hardened Sergeant and Colonel race against time to stop the commander of a rogue black ops group from triggering nuclear armageddon.
Writer:   Matthew Dixon
Genre:   Action | Thriller
Management:   Insignia Entertainment | Alex Robb
Attachments:   Insignia Entertainment | Production Co.

BALLBUSTER (N/A)
Logline:   Pitched as being in the vein of “Private Benjamin”, when a pushover falls on desperate times once again, she forces herself to “man up” when she takes a job at a high end S&M club.
Writer:   Stacy Chbosky
Genre:   Comedy
Management:   Circle of Confusion | Ashley Berns, Noah Rosen

MUSEUM OF BROKEN RELATIONSHIPS (READ)
Logline:   Emotional hoarder Lucy Gulliver can’t let go of her emotional keepsakes, so she starts The Museum of Broken Relationships in an attempt to move on from a particularly devastating break-up and through it learns to let go of the past, in turn finding love in the place she least expected.
Writer:   Natalie Krinsky
Genre:   Romantic Comedy
Agency:   CAA | Ryan Ly, Jessica Matthews
Management:   Gotham Group | Jim Garavente, Jeremy Bell

JESSICA (READ)
Logline:   Calvin is dating the girl of his dreams, Jessica. There’s just one problem – she never stays the night. When he calls her out on this he comes face to face with the problem. Literally. Every night, as the sun sets, Jessica transforms into a huge, fat man! As Calvin endeavors to further his relationship with Jessica, he develops an unlikely friendship with her easygoing male alter ego, Steve, leading to humor, complications, revelations, drama and ultimately pathos.
Writer:   Amitabh Klemm
Genre:   Comedy | Drama
Management:   DJ2 Entertainment | Dmitri Johnson
« Last Edit: May 28, 2011, 12:24 PM by Tom & Jerry » Logged

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« Reply #3 on: April 24, 2011, 01:30 AM »

Anyone else NOT impressed with this list?  Again, I only see like three scripts here -- Monsters of Midway, Scavengers, Repent Harlequin -- that sound remotely interesting.  Am I missing something here?  Which ones did you guys like?  Also, can we knock off the "Blank" meets "Blank" meets "Blank" bullshit?  Am I the only person that finds that annoying?  Ugh.
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« Reply #4 on: April 24, 2011, 05:58 AM »

BLANK meets BLANK -- (facepalm).  If development execs want us to treat them like retarded children, fine by me.  They set the rules.  BLANK meets BLANK (meets BLANK) is simple conjuring slight of hand:

"In my left hand I have the script for DIE HARD.  In my right hand, hidden behind my back, I have my script, which I assure you is DIE HARD IN A LIGHTHOUSE.  But here's the trick: you won't know if mine really is DIE HARD IN A LIGHTHOUSE until you read it.  And the moment you pick it up I've already won.  I suckered you into reading it.  I promised you DIE HARD IN A LIGHTHOUSE but I gave you JAWS MEETS DRIVING MISS DAISY MEETS TRANSFORMERS."

Anyway, here are the loglines that caught my eye.

Quote
THE LEONARDO JOB
Logline: Two thieves who are hired to steal the only previously unseen DaVinci fresco are double crossed by who they think is the Italian femme fatale they’ve both fallen for. However, after learning another thief is after it, they redeem themselves by beating him to his plans and donating the piece to the girl, her dying father figure, and the museum of Florence.

How not to write a logline.  DON'T GIVE AWAY THE ENDING.

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THE MONEY TREE
Logline: Story follows a family on the verge of foreclosure who discover what happens when money really does grow on trees.

High concept.  Gives no hint at what direction the story follows -- save for paying off the mortgage -- but the premise intrigues so much that I'd read it just to see if the writers fulfil the story potential.

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FIRELINE
Logline: Living in a van, surviving on selling t-shirts and surfing every chance he gets, Noah Fischer (20) doesn’t have a family or much contact with people, but when he is convicted of a crime he never intended to commit, he’s sent up to Northern California to serve out his sentence fighting forest fires. It is here that Noah will learn how to count on others, how to battle the most intense of blazes, and maybe even find the home he never knew he wanted.

For me, the logline works until the end, where the wheels fall off. "Maybe even find the home he never knew he wanted." Gag.  But the LL does promise fire-fighting action, scope for plenty of conflict, and a character arc.  I'd read it.

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SCAVENGERS
Logline: Three estranged brothers discover that in order to collect their inheritance, they will have to go out on a scavenger hunt to find treasure left behind by their adventurous father after his death.

Writes itself, yeah?  Good LL.  Sets up the premise then lets your mind run wild thinking of the directions it might go.  Three brothers battling it out from the start, with a life lesson waiting for all.  A promise of action and adventure with a feel-good finish.  Definitely a read.

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NEVERLAND
Logline: A dark twist on the classic “Peter Pan” tale, in which Pan is a villain, kidnapping all of London’s kids to mine his island for the precious faerie dust that keeps him young, and Captain Hook is a young man, who must steal a ship and sail to Neverland to battle Pan, save the children, and free his imprisoned girlfriend.

A simple story reversal, and an intriguing one.  The task: make Pan the villain and Hook the hero.  Who doesn't want to see if the writers pull that off?

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THE SLACKFI PROJECT (READ)
Logline: A hapless and broken hearted barrista is visited by two bad-ass soldiers from the future who tell him mankind is doomed unless he alone can save them.

I'm assuming this is comedy.  You know a LL works when you read it and immediately begin to imagine dialogue and situations.

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ZOMBIE PET SHOP (READ)
Logline: When a mysterious plague sweeps through a mall pet shop, turning all of the animals into zombies, an ordinary pug named Joey must come to the rescue to find the antidote that will save his four-legged friends, as well as the humans that might take them home.

A fresh twist on the zombie genre.  Animals.  Sooooo cute.  Zombie animals. Ewwwwww... awwwww, still mostly cute.  GAAAAAAHHHHH, my ankle!  Awww, how can I stay mad at you with that fuzzy, grizzled face and those big, wet, bloodshot eyes...

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VOICES FROM THE DEAD (N/A)
Logline: Follows the friendship between magician Harry Houdini and mystery author Sir Arthur Conan Doyle as they team up with a psychic to solve a series of bizarre murders in 1920s New York.
Writer: J. Michael Straczynski

'Nuf said.  Houdini, Doyle, Straczynski -- three brilliant minds working together to blow yours.  I'm rooting for this like crazy.  Straczynski deserves a massive hit.  His serious film work is nice, but this... this screams FUN.
  
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THE NANA IN ME (READ)
Logline: After a teenage boy is possessed by his dead grandmother, the two team up to make him a cool kid in school and to rectify her estranged relationship with her daughter.

A teenage boy possessed by his dead grandmother.  BOOM.  I don't need to read any more.  I'm there.  The two team up to make him a cool kid in school?  That I'm not so thrilled about.  When your dead grandmother shares your body something damn exciting better happen.

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THE DISENGAGEMENT (READ)
Logline: When David accidentally proposes to his best friend, Olivia, she surprises him by saying “yes,” revealing that she’s always secretly been in love with him. Now, David is engaged to the wrong girl and in desperate need of a way out!

Simple high concept.  You propose to the wrong woman and can't take it back.  Another clever logline that feeds you the hook and lets your mind go crazy chewing on it.  The risk with loglines like this is, you must deliver on your story promise.  You're screwed if the reader comes up with a better idea than you did.

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UNPLUGGED (READ)
Logline: After a freak accident, a technologically reliant businessman finds himself faced with a new reality: No matter where he goes, all electronics around him cease to work.

Another simple but intriguing hook.  We get no hint of the protag's personal problem, but I'd read this to see if the writers pay off.

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ROSE RED (READ)
Logline: Pitched as “Tangled” meets “Princess Bride”, the story tells the tale of Rose Red – Snow White’s tomboy sister, who though having a strained relationship with her sister, was responsible for getting her Prince to kiss Snow White and save her life.

Another good twist/angle on a well known tale.  Unfortunately, the latter half of the LL causes confusion.  Is the tale of Rose Red, Snow White's estranged tomboy sister, who must get the Prince to kiss Snow White and save her life, or is this story about Rose Red and her sister Snow White AFTER the kiss that changed everything?
« Last Edit: April 24, 2011, 06:01 AM by Pitchpatch » Logged

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« Reply #5 on: April 30, 2011, 03:26 AM »

LADY PARTS -- bitchin' title.
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« Reply #6 on: April 30, 2011, 01:24 PM »

LADY PARTS -- bitchin' title.

Everything about "Lady Parts" is sell-able to me.  I imagine if Bridesmaids plays well when it's released then this one will be a for sure sale. 

On the other hand, I haven't read it, so it might be awful.  But I could see someone buying it just to have it re-written.  That's what they do, right?
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« Reply #7 on: May 28, 2011, 12:27 PM »

I've just been adding to the previous posts each week so that it wouldn't keep showing new posts in this topic so if you haven't checked back there's like a month worth of Spec listings up above as well.

Started/05/28/2011

THE GOOD SAMARITAN (N/A)
Logline: Kept under wraps.
Writer: Peter Dowling
Agency: APA | David Boxerbaum, Debbie Deuble-Hill, Ryan Saul
Management: Generate | William Lowery

EARTH PRIME (READ)
Logline: A detective is sent to an orbiting colony in space to investigate an act of terrorism, only to become embroiled in a much larger conspiracy when he learns that one of the victims is a girl he once loved.
Writer: Justin Marks
Genre: Action | Sci-Fi | Thriller
Agency: CAA | Andrew Miller, Martin Spencer
Management: Madhouse Entertainment | Adam Kolbrenner

SECRET OF THE ALCATRAZ GOLD (READ)
Logline: Pitched as “The Goonies” meets “Disturbia” on Alcatraz.
Writer: Cory Byam
Genre: Adventure | Thriller
Management: Circle of Confusion | Ken Freimann
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« Reply #8 on: May 28, 2011, 04:25 PM »

Hey, JESSICA is kinda like the ONLY ON WEDNESDAYS premise we kicked around on the old PDFS.  The one where the girl only exists on Wednesdays.  In JESSICA, she's a she during daytime only.
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